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	<title>Supporting Material</title>
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	<pubDate>Sat, 12 Sep 2026 15:20:24 +0000</pubDate>
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	<item>
		<title>Front Page</title>
				
		<link>https://supportingmaterial.com/Front-Page</link>

		<pubDate>Sat, 23 Jul 2022 20:58:04 +0000</pubDate>

		<dc:creator>Supporting Material</dc:creator>

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	<item>
		<title>Stroll Magazine</title>
				
		<link>https://supportingmaterial.com/Stroll-Magazine</link>

		<pubDate>Mon, 07 Sep 2026 12:34:13 +0000</pubDate>

		<dc:creator>Supporting Material</dc:creator>

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Stroll&#38;nbsp;
The Magazine of Outdoor Art and Street Culture

&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/b97b482fdae9960a55a48c5f9001c32a526ca6c397cf4d5337c6b6853977ebf6/Stoll-Magazine-Diane-Arbus-Haring-Holzer_0000s_0003_Layer-6.jpg" data-mid="251898567" border="0"  src="https://freight.cargo.site/w/1000/i/b97b482fdae9960a55a48c5f9001c32a526ca6c397cf4d5337c6b6853977ebf6/Stoll-Magazine-Diane-Arbus-Haring-Holzer_0000s_0003_Layer-6.jpg" /&#62;

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&#38;nbsp;An oversized, short-run periodical exploring public art, urban interventions, and street culture rather than wilderness or nature sports. Produced by Creative Time, the New York public art organization, and founded and edited by writer and curator Melissa Feldman.With a cover by Amy Arbus, the issue moves between art, politics, and speculative futures: Jenny Holzer and Keith Haring’s billboard works in Vienna; Les Levine’s political billboards in London, secured through the ICA in response to the political strife in Ireland; NASA habitats; and “Bungalows for a Post-Nuclear Age.” Together, they reflect Stroll’s interest in what art could become when it leaves the gallery and enters the public realm.








&#38;nbsp;

Nov-Jan Issue 1986
Softcover37 pagesSoftcover, very good condition
Height 380mm Width 270mm Depth 3mm


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	<item>
		<title>John Maybury Circus Logic Poster</title>
				
		<link>https://supportingmaterial.com/John-Maybury-Circus-Logic-Poster</link>

		<pubDate>Tue, 08 Sep 2026 09:25:44 +0000</pubDate>

		<dc:creator>Supporting Material</dc:creator>

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John Maybury
Circus Logic Poster

&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/4a6c8563260ad1278f3c3d8d9a2c9d4eb1a0839d93377caaf3d20a3cde84e3c7/John-Maybury-Poster_0000s_0001_Layer-11.jpg" data-mid="251938895" border="0"  src="https://freight.cargo.site/w/1000/i/4a6c8563260ad1278f3c3d8d9a2c9d4eb1a0839d93377caaf3d20a3cde84e3c7/John-Maybury-Poster_0000s_0001_Layer-11.jpg" /&#62;&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/bb38919b59c991790c72d1f929e7906b246cf0c34441000ea4a17d51b53dbd3c/John-Maybury-Poster-Reverse_0000s_0000_Layer-12.jpg" data-mid="251938990" border="0"  src="https://freight.cargo.site/w/1000/i/bb38919b59c991790c72d1f929e7906b246cf0c34441000ea4a17d51b53dbd3c/John-Maybury-Poster-Reverse_0000s_0000_Layer-12.jpg" /&#62;

£150.00 Add to Cart
























&#38;nbsp;











Original exhibition poster for John Maybury’s Circus Logic, commissioned and presented at the ICA, London, in 1984. The exhibition combined four half-hour video works with an installation incorporating fresco painting, ultraviolet light, magic marker, day-glo and powder paint on canvas.


The reverse of the poster describes the works as exploring the saturation of television imagery, the language of pop videos and advertising, and imagery that would not normally be permissible for broadcast.



Circus Logic I–IV screened alongside excerpts from Pagan Idolatry and The Dream Machine. The latter was a collaborative experimental film by Derek Jarman, Michael Kostiff, John Maybury and Cerith Wyn Evans, inspired by Brion Gysin’s Dream Machine.




ICA, London 1983

Good condition, small tear on top and mark on the reverse
Height 450mm Width 320mm Depth 0mm



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	<item>
		<title>LONDON / BERLIN</title>
				
		<link>https://supportingmaterial.com/LONDON-BERLIN</link>

		<pubDate>Mon, 07 Sep 2026 12:42:22 +0000</pubDate>

		<dc:creator>Supporting Material</dc:creator>

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LONDON / BERLIN
Sculpture / Skulptur

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&#38;nbsp;An exhibition catalogue for a joint public sculpture group show in Berlin and London, featuring students from the Hochschule der Künste Berlin and the Royal Academy, London.Berlin Artists (HdK): Jörg Enderle, Holger Uhrig, Heinz-Christian Pollmann, Hans Hemmert, Harald Müller, and Markus Kistner.London Artists (RA): Sarah Low, John Taylor, Juley Hudson, Julie Major, Adam Bull, Richard Tormey, Jelena Lukić, Elizabeth Mackinlay, Janette Emery, and Katheryn Wayman.Condition very good, except small biro mark on the reverse side.








&#38;nbsp;

LONDON / BERLIN, 1989Bilingual text in English and GermanSoftcover, very good condition
Height 310mm Width 200mm Depth 5mm


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	<item>
		<title>Franz West: We’ll Not Carry Coals</title>
				
		<link>https://supportingmaterial.com/Franz-West-We-ll-Not-Carry-Coals</link>

		<pubDate>Mon, 07 Sep 2026 12:58:02 +0000</pubDate>

		<dc:creator>Supporting Material</dc:creator>

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Franz West: We’ll Not Carry Coals


&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/bc2a0b848637574ce6b9f16c75191f7e274686ed20b61cb45673e6b313b079f7/Franz-West-Website-Cover_0000s_0003_Layer-5.jpg" data-mid="251904354" border="0"  src="https://freight.cargo.site/w/1000/i/bc2a0b848637574ce6b9f16c75191f7e274686ed20b61cb45673e6b313b079f7/Franz-West-Website-Cover_0000s_0003_Layer-5.jpg" /&#62;

£45.00 Add to Cart






















What began in the early 1970s with Franz West’s hand-sized Adaptives, small sculptural objects made to be held, carried and positioned against the body, developed into a fertile environment of sculptures, collages, furniture, walk-in rooms and spaces for sitting.Throughout his practice, West questioned the boundary between art and everyday life, inviting the viewer to touch, use, occupy and interact with his work. Humour, the body and social interaction became central to his playful and irreverent approach: sculpture could become furniture, furniture could become sculpture, and the viewer could become part of the work itself.Published in conjunction with West’s retrospective at Kunsthaus Bregenz, We’ll Not Carry Coals is organised across five chapters, corresponding to the building’s five floors. From Haini, sixty squeaky blue-green plastic armchairs modelled on a carved-out tree stump, to Corona, the monumental outdoor sculpture, the publication offers a serene presentation of West’s witty and unconventional practice.Published in close cooperation with the Franz West Atelier, the book also includes 50 previously unpublished collages from the artist’s personal collection.








&#38;nbsp;

Kunsthaus Bregenz, 2004285 pages, 180 colour illustrationsHardcover, very good condition

Height 300mm Width 210mm Depth 5mm




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		<title>Lore Journal 002</title>
				
		<link>https://supportingmaterial.com/Lore-Journal-002</link>

		<pubDate>Sat, 12 Sep 2026 15:20:24 +0000</pubDate>

		<dc:creator>Supporting Material</dc:creator>

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		<description>

Prison Punk Scrapbooks


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£28&#38;nbsp;Add to Cart






















Lore Archive is a material culture archive in London, led by artist Sophie Turner. The collection brings together historical garments, objects and artefacts that support research, visual storytelling and collaboration across art, design, costume and fashion.&#38;nbsp;

Lore Journal 002 shares a fragment of the collection, encouraging a closer look at smaller details, subtle gestures and often overlooked traces. Bringing together scans of garments, objects and ephemera, the journal focuses on incidental design details, structures and the marks left through making, wearing and use.

Spanning different eras, continents and regions, the collection includes handmade, ceremonial and everyday garments, alongside pieces shaped by utility and labour.

For Issue 002, a collaborative photographic series by Guy Bolongaro, Justine Masche and Tom Porte brings together garments and objects from the collection.

Printed at a large scale on newsprint, each journal is accompanied by a pack of 6 × 4 prints featuring individual pieces from the archive, and a badge.&#38;nbsp;








&#38;nbsp;
Lore Journal, 202436 pagesSoftcoverHeight 345mm Width 255mm Depth 3mm

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</description>
		
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	<item>
		<title>ars viva 98/99 – Installationen</title>
				
		<link>https://supportingmaterial.com/ars-viva-98-99-Installationen</link>

		<pubDate>Mon, 07 Sep 2026 12:50:55 +0000</pubDate>

		<dc:creator>Supporting Material</dc:creator>

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ars viva 98/99 – Installationen


&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/2cbd63f57e2f47f1e15630f572458433a13a603f99c7c38e45bea9ed9e349a1c/Ars-Viva-98_99---Installationen-Kai-Althoff--Manfred-Pernice_0000s_0003_Layer-5.jpg" data-mid="251899562" border="0"  src="https://freight.cargo.site/w/1000/i/2cbd63f57e2f47f1e15630f572458433a13a603f99c7c38e45bea9ed9e349a1c/Ars-Viva-98_99---Installationen-Kai-Althoff--Manfred-Pernice_0000s_0003_Layer-5.jpg" /&#62;

£60.00 Add to Cart






















&#38;nbsp; &#38;nbsp;ars viva = Living Art, a catalogue from 1998 accompanying an exhibition series featuring Kai Althoff, Lothar Hempel, Manfred Pernice, Torsten Slama, and Sean Snyder. The exhibition focused on installation and contemporary art practices that crossed traditional genre boundaries.With texts by Renate Goldmann, Ludger Hünnekes, Bernhard Frhr. von Loeffelholz, and others








&#38;nbsp;
Herausgeber, 1998First editionText in German and English.Softcover, good condition. 
Subtle mark on top of cover, see image.
Height 300mm Width 210mm Depth 5mm




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	<item>
		<title>Prison Punk Scrapbooks (Sold)</title>
				
		<link>https://supportingmaterial.com/Prison-Punk-Scrapbooks-Sold</link>

		<pubDate>Mon, 07 Sep 2026 13:07:00 +0000</pubDate>

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Prison Punk Scrapbooks


&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/1966f40b604f117c3f6d21d88df335584ca176db2f3a5376b3fc4480f19b0788/Prison-Scrapbooks-Cover_0000s_0001_Layer-9.jpg" data-mid="251904745" border="0"  src="https://freight.cargo.site/w/1000/i/1966f40b604f117c3f6d21d88df335584ca176db2f3a5376b3fc4480f19b0788/Prison-Scrapbooks-Cover_0000s_0001_Layer-9.jpg" /&#62;
SOLD






















&#38;nbsp;The scrapbooks are marked “HMSO”, Her Majesty’s Stationery Office, and stamped “Haverigg”, referring to HMP Haverigg in Cumbria, which operated as a borstal and youth custody institution before later becoming an adult men’s prison.
Containing clippings relating to punk, rock, new wave, and metal bands, alongside football material connected to Sheffield and early 80s counterculture. I believe they were compiled by the figure behind The Motivator, a Sheffield-based punk promoter and distributor, during a period in prison.The covers are collaged with hand-cut lettering and images. Inside, the pages are filled with magazine and newspaper clippings, sometimes with handwritten notes added.








&#38;nbsp;
cira 1984Height 200mm Width 310mm Depth 5mm

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	<item>
		<title>Jeremy Deller 1998 Poster</title>
				
		<link>https://supportingmaterial.com/Jeremy-Deller-1998-Poster</link>

		<pubDate>Fri, 11 Sep 2026 16:07:06 +0000</pubDate>

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Jeremy Deller
TURBULENT BLISS. LOVE THOU ART IS

&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/4e3b876b5d7e6a4e90c7b561ddf702a383afc4350d1b30499d9fc13b8cdaf782/Jeremy-Deller-Poster_0000s_0001_Layer-1.jpg" data-mid="252078940" border="0"  src="https://freight.cargo.site/w/1000/i/4e3b876b5d7e6a4e90c7b561ddf702a383afc4350d1b30499d9fc13b8cdaf782/Jeremy-Deller-Poster_0000s_0001_Layer-1.jpg" /&#62;

£100.00 Add to Cart
























&#38;nbsp;











Produced to promote Jeremy Deller’s Acid Brass performance with the Williams Fairey Brass Band, held at Rathausplatz, Vienna, on 11 July 1998, this poster also served as publicity for Deller’s exhibition TURBULENT BLISS. LOVE THOU ART IS at Kunsthalle Wien (29 May–13 September 1998), presented as part of the Crossings: Art for Listening and Seeing series.




Kunsthalle Wien, Karlsplatz, Vienna, 1998Offset lithograph posterPoster folded twice (as issued)
Height 592mm Width 410mm Depth 0mm



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	<item>
		<title>Ihminen Pääosassa by Ismo Hölttö</title>
				
		<link>https://supportingmaterial.com/Ihminen-Paaosassa-by-Ismo-Holtto</link>

		<pubDate>Mon, 03 Aug 2026 12:58:06 +0000</pubDate>

		<dc:creator>Supporting Material</dc:creator>

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Ihminen Pääosassa (People in the Lead Role) 
Ismo Hölttö
&#60;img width="1080" height="1440" width_o="1080" height_o="1440" data-src="https://freight.cargo.site/t/original/i/2d281d9babbea857b0e9280538e3d9871e5b7f783daa6b81371eb88521a16731/Ismo-Holtto_0009_Layer-1.jpg" data-mid="250917691" border="0"  src="https://freight.cargo.site/w/1000/i/2d281d9babbea857b0e9280538e3d9871e5b7f783daa6b81371eb88521a16731/Ismo-Holtto_0009_Layer-1.jpg" /&#62;

£250.00 Add to Cart

























A significant work of Finnish documentary photography, Ihminen pääosassa brings together 239 photographs made during the 1960s and early 1970s. Self-published in 1989 and designed by Pertti Hietanen, the book presents photographs made when Ismo Hölttö was in his twenties. Travelling with photographer Mikko Savolainen and using a Rolleiflex camera, Hölttö photographed people in Helsinki and across Finland, from urban streets to North Karelia, Savonia and the Oulu region, creating portraits of children, elderly people, workers, Romani communities and rural families.
Hölttö’s photographs challenged idealised images of Finland, presenting a more honest and compassionate vision of a nation undergoing rapid social change and urbanisation. Beautifully reproduced in rich tritone printing, this body of work invites comparison with August Sander’s People of the Twentieth Century. Both photographers created enduring portraits of society through its people, but where Sander’s work often feels formal, composed and typological, Hölttö’s is marked by warmth, curiosity and human connection.








&#38;nbsp;


Self-published, 1989First edition of 1,300 copies 
Hardcover with dust jacket 
Condition: Some wear to the dust jacket. Pages clean + tight
Texts by Tuomo-Juhani Vuorenmaa &#38;amp; Erkki Pirtola




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